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Richard FoxBronze Ravel IXsigned and titled on underside of bronze
number 2 from an edition of 9
cast in 2023bronze on oak base27 x 23 cms (11 x 9 ins)£ 4,600.00 -
Richard FoxMoebius in Bronze VIIIsigned and titled on underside of bronze
number 4 from an edition of 9
cast in 2022polished bronze on oak base64 x 38 cms (25 x 15 ins)Contact Gallery -
Richard FoxSteel Moebius VIsigned and titled on underside of bronze
number 1 from an edition of 9
cast in 2023stainless steel on oak base25 x 27 cms (10 x 11 ins)£ 5,750.00 -
Richard FoxSteel Ravel Isigned and titled on underside of sculpture
number 1 from an edition of 9
cast in 2022stainless steel on oak base32 x 17 cms (12½ x 7 ins)£ 5,750.00 -
Richard FoxWave Isigned and titled
number 2 from an edition of 9
cast in 2021bronze on sycamore base12 x 20 cms (5 x 8 ins)£ 1,400.00 -
Richard FoxBronze Ravel Vsigned and titled on underside of bronze
number 8 from an edition of 9
cast in 2018polished bronze on slate base32 x 23 cms (12½ x 9 ins)£ 6,800.00 -
Richard FoxBronze Ravel VIIIsigned and titled on underside of bronze
number 3 from an edition of 9
cast in 2018bronze on sandstone base86.5 x 28 cms (34 x 11 ins)£ 11,000.00 -
Richard FoxBronze Ravel Isigned and titled
number 8 from an edition of 9
cast in 2015polished bronze on slate base35.5 x 19 cms (14 x 7½ ins)£ 4,750.00 -
Richard FoxWave XIsigned and titled on base
unique
2019english oak on sycamore base38.5 x 53 cms (15¼ x 20¾ ins)£ 3,800.00 -
Richard FoxMoebius in Bronze VIIIsigned and titled on underside of bronze
number 6 from an edition of 9
cast in 2023bronze on oak base63.5 x 38 cms (25 x 15 ins)Reserved -
Richard FoxBronze Ravel Xsigned and titled on underside of bronze
number 2 from an edition of 9
cast in 2021bronze on English oak base84 x 25 cms (33 x 10 ins)Sold -
Richard FoxMoebius in Bronze VIsigned and titled on underside of bronze
number 4 from an edition of 9
cast in 2021bronze on English oak base22 x 28 cms (9 x 11 ins)Sold -
Richard FoxMoebius IVsigned and titled
unique
2019carrara statuario marble on slate base65 x 36 cms (25½ x 14¼ ins)Sold -
Richard FoxMoebius in Bronze VIsigned and titled on underside of bronze
number 3 from an edition of 9
cast in 2021polished bronze on slate base23 x 27 cms (9 x 11 ins)Sold -
Richard FoxBronze Ravel XIsigned and titled
number 2 from an edition of 9
cast in 2020bronze on english oak base28 x 19 cms (11 x 7½ ins)Sold -
Richard FoxWhite Ravel in H, Vsigned and titled
unique, 2018sycamore & white pigment on sandstone baseheight: 86.5 cms (34 ins)Sold -
Richard FoxWhite Ravel in F, VIsigned and titled
unique
2014sycamore and white pigment on sandstone91 x 62 cms (36 x 24½ ins)Sold -
Richard FoxWhite Ravel in J IIsigned and titled
unique
2016sycamore and white pigment on sandstone43 x 43 cms (17 x 17 ins)Sold -
Richard FoxBronze Ravel in F, XVIIsigned and titledsycamore & white pigment on sandstone unique 201581 x 42 cms (32 x 16½ ins)Sold
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Richard FoxBronze Ravel IIIsigned and titled on underside of bronze
number 8 from an edition of 9
cast in 2017polished bronzeheight: 37 cms (14½ ins)Sold -
Richard FoxBronze Ravel IVsigned and titled on underside of bronze
number 9 from an edition of 9
cast in 2017polished bronze on slate baseheight: 40 cms (15¾ ins)Sold -
Richard FoxCornish Head Isigned on underside of sculpture
unique
2019cornish alabaster on sycamore baseheight: 32 cms (12½ ins)Sold
Richard Fox is a self-taught artist with an instinctive eye for the interaction between form and space. He has exhibited widely in London and the provinces over the last ten years and installed his elegant sculptures in public spaces in Oxford and in several of its colleges. Commissions include John Rowan and Partners, London; Mirabaud Securities, London; and the Four Seasons Hotel, Riyadh.
In his sculptures, Fox explores the use of different materials – wood, marble, and bronze – and their individual relationships with the final aesthetic. Each work investigates the interaction of form, space, and movement and how we connect with abstract structures.
This approach is enhanced by Fox’s method of mounting his works so they can be rotated by hand, offering viewers varying perspectives and experiences of his sculpture.