From the mid-1960s Vaughan kept a studio at his weekend cottage in Toppesfield, Essex. Here he delighted in the unspoilt beauty of the surrounding countryside and produced small paintings of...
From the mid-1960s Vaughan kept a studio at his weekend cottage in Toppesfield, Essex. Here he delighted in the unspoilt beauty of the surrounding countryside and produced small paintings of the houses and barns dotted around the neighbourhood. Bulmer Tye is a village barely ten miles from Toppesfield. Similar compositions around this time were Blackmore End II (1971) and Harrow Hill III (1972).
The Artist's Estate, 1977 Collection Pauline del Mar Private collection to 2012
Exhibitions
London, Olympia, Keith Vaughan, 1912-1977, 26 February - 3 March 2002 Bath, Victoria Art Gallery, Keith Vaughan, Figure and Landscape, 3 February - 25 March 2007 (illustrated)