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Richard FoxBronze Ravel IXsigned and titled on underside of bronze
number 2 from an edition of 9
cast in 2023bronze on oak base27 x 23 cms (11 x 9 ins)£ 4,600.00 -
Richard FoxMoebius in Bronze VIIIsigned and titled on underside of bronze
number 4 from an edition of 9
cast in 2022polished bronze on oak base64 x 38 cms (25 x 15 ins)Contact Gallery -
Richard FoxSteel Moebius VIsigned and titled on underside of bronze
number 1 from an edition of 9
cast in 2023stainless steel on oak base25 x 27 cms (10 x 11 ins)£ 5,750.00 -
Richard FoxSteel Ravel Isigned and titled on underside of sculpture
number 1 from an edition of 9
cast in 2022stainless steel on stained oak base31 x 17 cms (12 x 7 ins)£ 5,750.00 -
Richard FoxSulcus Isigned, titled and dated 2024 on base
uniqueoak88 x 22 cms (35 x 9 ins)£ 4,800.00 + vat -
Richard FoxBronze Ravel Vsigned and titled on underside of bronze
number 8 from an edition of 9
cast in 2018polished bronze on slate base32 x 23 cms (12½ x 9 ins)£ 6,800.00 -
Richard FoxBronze Ravel VIIIsigned and titled on underside of bronze
number 3 from an edition of 9
cast in 2018bronze on sandstone base86.5 x 28 cms (34 x 11 ins)£ 11,000.00 -
Richard FoxBronze Ravel Isigned and titled
number 8 from an edition of 9
cast in 2015polished bronze on slate base35.5 x 19 cms (14 x 7½ ins)£ 4,750.00 -
Richard FoxMoebius in Bronze VIIIsigned and titled on underside of bronze
number 6 from an edition of 9
cast in 2023bronze on oak base63.5 x 38 cms (25 x 15 ins)Sold
Richard Fox is a self-taught artist with an instinctive eye for the interaction between form and space. He has exhibited widely in London and the provinces over the last ten years and installed his elegant sculptures in public spaces in Oxford and in several of its colleges. Commissions include John Rowan and Partners, London; Mirabaud Securities, London; and the Four Seasons Hotel, Riyadh.
In his sculptures, Fox explores the use of different materials – wood, marble, and bronze – and their individual relationships with the final aesthetic. Each work investigates the interaction of form, space, and movement and how we connect with abstract structures.
This approach is enhanced by Fox’s method of mounting his works so they can be rotated by hand, offering viewers varying perspectives and experiences of his sculpture.