With Milow’s signature surface oxidation, Drawing 89/7/77/D shares strong compositional similarities with another work acquired by the Tate from the Nigel Greenwood exhibition in the late 1980s. Here, sculpturally rigid...
With Milow’s signature surface oxidation, Drawing 89/7/77/D shares strong compositional similarities with another work acquired by the Tate from the Nigel Greenwood exhibition in the late 1980s. Here, sculpturally rigid forms add a third dimension to the level planes of lead and copper.