Would you like to capture how an artwork could look and feel at home?

We can now bring selected works into your home, virtually.

 

Room View is an exciting, easy-to-use service. Just email us an image of a wall in your home or office and we’ll provide an accurate vision of a chosen painting hanging in that space.

All we require are some approximate dimensions; the width of a sofa or space between two points on a wall. 

If you’d like to know more about Room View, please contact us.

Below are a few examples of paintings in situ. 

 

 

  • Martin Bradley - Room View

    Martin Bradley - Le Champ Jeune

    oil on canvas

    115.5 x 73.5 cms (46 x 29 ins)
    framed: 130 x 87 cms (51 x 34 ins)

    £8,500

    Martin Bradley - Room View
    Le Champ Jaune (Yellow Field) is an iconic example of Bradley's oeuvre whilst exhibiting with Galerie Rive Gauche in Paris.  It is accompanied by a letter from the artist that reads, "Le Champ Jaune was painted in Montparnasse at a time when Yasse Tabuchi and Kumi Sugai were close buddies. The painting shows a so called Zen influence". Sugai and Tabuchi were both Japanese artists immersing themselves in European culture, whilst Bradley conversely was motivated by oriental influences.
    Enquire
  • Jeremy Gardiner - Room View

    Jeremy Gardiner - Emerald Sea, Lundy South Lighthouse

    acrylic and jesmonite on poplar panel, 2016

    46 x 61 cms (18 x 24 ins)
    framed: 60 x 74 cms (23½ x 29 ins)

    £9,500

    Jeremy Gardiner - Room View

    Notes from the artist
    I left Ilfracombe in North Devon on Lundy’s own ship, the MS Oldenburg. On my arrival in Lundy, I made a coastal walk along the cliff tops past the North and South lighthouses, which sparked an idea for a whole series of paintings. At the southeast point of the island I looked closely at the relationship between the separate elements of the contrasting forms of the Quay, South Lighthouse, MS Oldenburg, and Mouse and Rat Islands.

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  • Jonathan S Hooper - Room View

    Jonathan S Hooper - Random Walk 1 and 2

    oil on panel, 2020

    each: 51 x 51 cms (20 x 20 ins)
    framed: 56 x 56 cms (22 x 22 ins)

    £5,800 each

    Jonathan S Hooper - Room View

    With no specific reference to location, Random Walk 1 and 2, leave the viewer to meander through abstracted landscapes almost devoid of any focal point.  Deeper engagement reveals the suggestion of a hill with a distant horizon and sky suffused with sunset colours.

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  • Terry Frost - Room View

    Terry Frost - Orange and Blue Q, Newlyn
    acrylic and collage on paper, 1996
    61 x 66 cm (24 x 26 ins)
    framed: 78 x 80 cms (30½ x 31½ ins)

    £12,500

    Terry Frost - Room View
    Terry Frost’s Orange and Blue Q, Newlyn is a collage which explores aesthetic relationships between colour, shape and composition with an engaging simplicity. A potent electric blue creates a backdrop to linear segments of colour, whilst the opacity in the orange gouache and trace of brushstrokes in the deep purple, red and green forms, gives the piece a subtle sense of texture. This frames a spiral, a motif Frost had used since the 1950’s, which could be seen to evoke the sun or simply an abstract shape. The work is playful, both in its ‘naïve’ style and in the interaction that is created between itself and the viewer.
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  • Peter Joyce - Room View

    Peter Joyce - Sea Spray

    acrylic on canvas, 2021

    102 x 122 cms (40 x 48 ins)
    framed: 106 x 126 cms (41½ x 49½ ins)

    £12,000

     

    Peter Joyce - Room View

    Joyce has once again skilfully captured the colour and atmosphere of the coastal region surrounding his home in Dorset. The colours of earth and sea mingle with a translucent white, which swirls across the canvas to great effect.

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  • Tony Bevan - Room View

    Tony Bevan - Violet Interior

    raw pigment and charcoal, 2003

    85 x 121 cms (33½ x 47½ ins)
    framed: 102 x 138 cms (40½ x 54½ ins)

    £23,500

    Tony Bevan - Room View
    Tony Bevan's interiors are akin to his psychologically charged portraits and figure studies, with the subject reduced to minimal representation. They are typically comprised of a single vivid colour. The interiors were created on large-scale canvases or, as in the case of this work, smaller compositions on paper. The same raw pigment in this painting is applied to an unprimed surface to emphasise texture and dimension.
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  • John Plumb - Room View

    John Plumb - Blenheim

    PVA and vinyl tape on board, 1962

    183 x 122 cms (72 x 48 ins)
    framed: 191 x 130 cms (75 x 51 ins)

    Contact Gallery

     

    John Plumb - Room View

    Blenheim is another example of Plumb's experimentation with tape as a medium, first explored by Mondrian in the 1940s. The hard-edged result was mirrored by his fellow artists Robyn Denny and John Hoyland who exhibited with him at  the Marlborough Gallery in London.

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  • Peter Haigh - Room View

    Peter Haigh - Mar '94

    oil on canvas, 1994

    91 x 81 cms (36 x 32 ins)
    framed: 98 x 88 cms (38½ x 34½ ins)

    £3,800

    Peter Haigh - Room View
    Peter Haigh's paintings required structure and planning. Initially composed as a miniature on board, Mar '94, was enlarged to this 91 x 81 cm canvas once Haigh was completely satisfied with the composition.
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  • Terry Frost - Room View

    Terry Frost - Standard Banbury

    oil on canvas, 1965

    152 x 254 cms (60 x 100 ins)
    framed: 156 x 258 cms (61½ x 101½ ins)

    Contact Gallery

     

    Terry Frost - Room View
    Arguably one of the largest and most important paintings that Terry Frost produced in the 1960s, Standard Banbury represents a distillation of preceding symbols and forms coupled with references to the heraldic banners Frost so admired at Compton Wynyates, a Tudor country house near his home in Banbury. With their chevrons and frieze-like borders, the abstract motifs articulate Frost's personalised and complex vocabulary.
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