Would you like to capture how an artwork could look and feel at home? We can now bring selected works into your home, virtually.

Room View is an exciting, easy-to-use service. Just email us an image of a wall in your home or office and we’ll provide an accurate vision of a chosen painting hanging in that space. All we require are some approximate dimensions; the width of a sofa or space between two points on a wall. We hope you’ll enjoy this new way to experience the fine artworks we have to offer.  These are a few examples of available artworks in situ.


If you’d like to know more about Room View, please contact us.

  • Tim Woolcock - Room View

    Tim Woolcock - Implicate Order II

    oil on panel, 2019

    151 x 109 cms

    Tim Woolcock - Room View

    Whilst not entirely monochromatic this structured painting displays variations of shade and density which enhance the forms.

  • Richard Fox - Room View

    Richard Fox - Bronze Ravel VIII

    bronze on sandstone base, 2018

    86.5 x 28 cms

    Richard Fox - Room View

    In his most recent and largest bronze, Fox has used an instinctive understanding of space and mass. Building on previous flowing forms, the artist has created a delicate and vertical composition of soaring beauty.

  • Peter Joyce - Room View

    Peter Joyce - Top Field

    acrylic on canvas laid to panel, 2021

    50 x 56 cms

    Peter Joyce - Room View

    The views from Top Field at Ballard Down, on Purbeck's eastern coast, stretch out to the Isle of Wight to the east and Swanage to the south. The sea below this land relentlessly chops and cuts away at the soft chalk forming stacks and the massive sea cave Parson’s Barn. This painting seeks to convey nature’s force over this coastal location.

  • Terry Frost - Room View

    Terry Frost - Red, Black, White Squeeze 

    acrylic on canvas collage, 1993

    51 x 113 cms

    Terry Frost - Room View

    The two principle elements of this work can be traced back to Frost's early career. Twin semi-circles hark back to the hulls of boats and the compressed verticals reference the Leeds period of abstract compositions with linear intersections. Whilst the Squeeze Series were also produced in paint and print form, they were at their most effective when Frost used corrugated canvas collage. 

  • Peter Haigh - Room View

    Peter Haigh - February '86

    oil on canvas, 1986

    101.5 x 81.5 cms

    Peter Haigh - Room View

    February '86 is an iconic example of Haigh's consistent exploration of shape and colour. These canvases from the last decade of the artist's career, when he was arguably at his most prolific and capable, exude pictorial presence and serenity. Haigh exhibited paintings to critical acclaim at a number of important London galleries including Redfern Gallery, Wildenstein, Leicester Galleries and Zwemmer Gallery.

  • John Plumb - Room View

    John Plumb - Blenheim

    PVA and vinyl tape on board, 1962

    183 x 122 cms


    John Plumb - Room View

    Blenheim is another example of Plumb's experimentation with tape as a medium, first explored by Mondrian in the 1940s. The hard-edged result was mirrored by his fellow artists Robyn Denny and John Hoyland who exhibited with him at  the Marlborough Gallery in London.

  • Norman Stevens - Room View

    Norman Stevens - Louvered Shutters 1971

    acrylic on canvas, 1971

    183 x 152.5 cms

    Norman Stevens - Room View

    Norman Stevens was renowned for his technical ability as a printmaker and painter. His meticulous style is conveyed in Louvered Shutters  through the use of perfectly graduating, crisp lines and a sharp, balanced composition. At a glance, the pastel pink and grey construction is reminiscent of Optical art, but closer inspection reveals the piece as depicting a louvered screen; an archetypal subject for Stevens. The interplay between revealing and concealing potential space evokes a sense of intrigue around the work. 

  • Jack Smith - Room View

    Jack Smith - Still Life with Tap, 1953

    oil on board
    92 x 122 cms 

    Jack Smith - Room View

    With monochromatic tones, Still Life with Tap is typically drained of colour, emphasising the mundane and the ordinary. A prominent member of the Kitchen Sink group of painters,  Smith achieved recognition early in his career with solo exhibitions at London's Beaux Arts Gallery between 1952 and 1954 and a retrospective at the Whitechapel Art Gallery in 1959. By the early 1960s, he had abandoned realist painting in favour of pursuing the prevailing trends of abstraction.

  • Leigh Davis - Room View

    Leigh Davis - Foreshore, Pin Mill

    acrylic on panel, 2020

    122 x 200 cms

    Leigh Davis - Room View

    Davis has been exhibiting widely across Britain since 2012 with his first major solo exhibition held at The Nine British Art in 2018. He now exhibits and works exclusively with the Gallery and has numerous works in private collections both nationally and internationally.