Would you like to capture how an artwork could look and feel at home?

We can now bring selected works into your home, virtually.

 

Room View is an exciting, easy-to-use service. Just email us an image of a wall in your home or office and we’ll provide an accurate vision of a chosen painting hanging in that space.

All we require are some approximate dimensions; the width of a sofa or space between two points on a wall. 

If you’d like to know more about Room View, please contact us.

Below are a few examples of paintings in situ. 

 

 

  • William Gear - Room View

    William Gear - Grey Element

    oil on canvas, 1955

    81 x 122 cms (32 x 48 ins)
    framed: 86 x 126 cms (34 x 50 ins)

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    William Gear - Room View
    Grey Element was painted in 1955 by William Gear whilst living in the village of Littlebourne, near Canterbury. The painting was exhibited at the Redfern Gallery in 1997 as part of the 'Golden Jubilee Exhibition', celebrating fifty years of Gear's artistic output. Unfortunately, the exhibition also became a memorial for the artist, as he passed away just two days after the opening.
  • Jonathan S Hooper - Room View

    Jonathan S Hooper -  Atmosphere (7 layers)

    oil on panel, 2020

    51 x 51 cms (20 x 20 ins)
    framed: 53 x 53 cms (21 x 21 ins)

    £5,800

    Jonathan S Hooper - Room View
    Hooper's paintings explore the restlessness and experience of landscape, using the layering of paint as a metaphor for laying down memories. In Atmosphere (7 layers), the crisscrossing and interweaving waves of texture, colour and form disrupt the familiar signifiers of land, sea and air, creating complex surfaces that can simultaneously be ambiguous and harmonious
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  • Jeremy Gardiner - Room View

    Jeremy Gardiner - Emerald Sea, Lundy South Lighthouse

    acrylic and jesmonite on poplar panel, 2016

    46 x 61 cms (18 x 24 ins)
    framed: 60 x 74 cms (23½ x 29 ins)

    £9,500

    Jeremy Gardiner - Room View

    Notes from the artist
    I left Ilfracombe in North Devon on Lundy’s own ship, the MS Oldenburg. On my arrival in Lundy, I made a coastal walk along the cliff tops past the North and South lighthouses, which sparked an idea for a whole series of paintings. At the southeast point of the island I looked closely at the relationship between the separate elements of the contrasting forms of the Quay, South Lighthouse, MS Oldenburg, and Mouse and Rat Islands.

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  • Peter Joyce - Room View

    Peter Joyce - Pond Tracks

    acrylic on panel, 2022

    64 x 104 cms (25 x 41 ins)
    framed: 79 x 120 cms (31 x 47 ins)

    £8,750

     

    Peter Joyce - Room View

    In this recent work, Joyce captures the constantly changing colours of the pools and shallow basins strung out across the flatlands of the Marais Breton on the Atlantic coast of France. Earthen hues mix with subtle sea blues to create a composition of great charm.

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  • Alan Davie - Room View

    Alan Davie - Parrot Idly Dreaming

    oil on canvas, 1960

    102 x 122 cms (40 x 48 ins)
    framed: 120 x 140 cms (47 x 55 ins)

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    Alan Davie - Room View
    Scottish painter, musician and printmaker, Alan Davie trained at Edinburgh College of Art from 1937. After military service with the Royal Artillery, he spent a period working as a professional jazz pianist, travelling widely in Europe. In the early 1940s he saw the paintings by Jackson Pollock in Peggy Guggenheim’s collection in Venice; these informed his own mythical imagery and forceful painterly gestures.
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  • Peter Haigh - Room View

    Peter Haigh - Mar '94

    oil on canvas, 1994

    91 x 81 cms (36 x 32 ins)
    framed: 98 x 88 cms (38½ x 34½ ins)

    £3,800

    Peter Haigh - Room View
    Peter Haigh's paintings required structure and planning. Initially composed as a miniature on board, Mar '94, was enlarged to this 91 x 81 cm canvas once Haigh was completely satisfied with the composition.
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  • Leigh Davis - Room View

    Leigh Davis - Scillonian Form

    oil on panel, 2023

    40 x 68 cms (16 x 27 ins)
    framed: 53 x 81 cms (21 x 32 ins)

    £5,200

    Leigh Davis - Room View

    The word Scillonian refers to any characteristic of the Isles of Scilly, which lie just off the coast of Cornwall. Davis has spent many years sketching and painting the archipelago's topography, and this classic example is brimming with the islands' shapes and colours.

     

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  • Terry Frost - Room View

    Terry Frost - Black, White & Orange

    oil on canvas, 1963

    122 x 92 cms (48 x 36 ins)
    framed: 142 x 112 cms (56 x 44 ins)

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    Terry Frost - Room View
    Frost moved to Banbury, where he found inspiration in the heraldic imagery and chevrons from the Battle of Edgehill, displayed at Compton Wynyates. These, along with the new traffic road signs from that year, influenced his art to move away from the bobbing boats of St Ives and the stone walls of the Dales. Chevrons and circles became the main focus of his paintings.
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  • Albert Irvin - Room View

    Albert Irvin - Blenkarne 4

    gouache, 1994

    58 x 76 cms (23 x 30 ins)
    framed: 78 x 96 cms (30 x 37 ins)

    £7,800

    Albert Irvin - Room View
    A dedicated and pioneering abstract painter of the post-war years, Irvin had achieved a degree of distinction by the late 1960s, making powerful and complex paintings with strong directional brushwork. Though he had used water-soluble acrylic paint since the early 1970s, Irvin enjoyed a resurgence of creativity with this medium in the 1980s and 1990s when he launched himself into colour with ever-increasing boldness. Blenkarne 4 is a perfect example of this exciting development.
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